The Chinese-Japanese Theatrical Traditions in David Henry Hwang's Plays: The Dance and the Railroad, M.Butterfly and Golden Child
Drar Abdel-Moneim Abdel-Rahman Drar;
Abstract
As a playwright drawing upon his heritage for his literary and aesthetic contributions, he joins the likes of other California-bred authors -- Luis Valdez and William Saroyan among others -- who likewise established international followings without sacrif
Other data
| Title | The Chinese-Japanese Theatrical Traditions in David Henry Hwang's Plays: The Dance and the Railroad, M.Butterfly and Golden Child | Authors | Drar Abdel-Moneim Abdel-Rahman Drar | Keywords | The Chinese-Japanese Theatrical Traditions in David Henry Hwang's Plays: The Dance and the Railroad, M.Butterfly and Golden Child | Issue Date | 2007 | Description | As a playwright drawing upon his heritage for his literary and aesthetic contributions, he joins the likes of other California-bred authors -- Luis Valdez and William Saroyan among others -- who likewise established international followings without sacrif |
Attached Files
| File | Size | Format | |
|---|---|---|---|
| 7170m5222.pdf | 308.19 kB | Adobe PDF | View/Open |
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