Metadrama in Peter Shaffer’s Lettice and Lovage (1990), Brian Friel’s Dancing at Lughnasa (1991), and Horton Foote’s The Young Man from Atlanta (1995).
Enass Mohammad Ali Othman;
Abstract
This thesis studies metadrama as incarnated in three plays written by the British dramatist Peter Shaffer, the Irish dramatist Brian Friel and the American dramatist Horton Foote. Direct address to the audience, role-playing, self-created illusions, liter
Other data
| Title | Metadrama in Peter Shaffer’s Lettice and Lovage (1990), Brian Friel’s Dancing at Lughnasa (1991), and Horton Foote’s The Young Man from Atlanta (1995). | Other Titles | الـ "ميتادراما" في مسرحيات "لتيس والعشب"(1990) لـ بيتر شافر "الرقص في لوناسا" (1991) لـ بريان فريل "الشاب القادم من أطلنطا" (1995) لـ هورتن فوت. | Authors | Enass Mohammad Ali Othman | Keywords | Metadrama in Peter Shaffer’s Lettice and Lovage (1990), Brian Friel’s Dancing at Lughnasa (1991), and Horton Foote’s The Young Man from Atlanta (1995). | Issue Date | 2010 | Description | This thesis studies metadrama as incarnated in three plays written by the British dramatist Peter Shaffer, the Irish dramatist Brian Friel and the American dramatist Horton Foote. Direct address to the audience, role-playing, self-created illusions, liter |
Attached Files
| File | Size | Format | |
|---|---|---|---|
| 93091p76.pdf | 83.39 kB | Adobe PDF | View/Open |
Similar Items from Core Recommender Database
Items in Ain Shams Scholar are protected by copyright, with all rights reserved, unless otherwise indicated.