Lorraine Hansberry : The Romantic Realist
Hend Mohamed Samir;
Abstract
The purpose of this thesis is to tackle Lorraine Hansberry: The romantic realist in her plays : A Raisin in the Sun (1959), The Sign in Sidney Brustein's Window (1965), and What Use Are Flowers ? (1972). The thesis attempts to examine Hansberry's conception of art which has carved her an important niche in the American Theater.
The objective of this study is to prove that in spite of the fact that Romanticism and Realism are two antithetical schools, they could be dovetailed. Thus, an investigation of both terms paves the way to expounding the term Romantic Realism. Hence, it pinpoints the origin, characteristics, as well as the features of Romantic Realism in drama.
Endowed with the credentials to become a romantic realist, Hansberry is given the credit of a unique and innovative
rom,,.a..n..-t-ic realist. She staunchingly believes in man's latent potentialities; she believes in the uniqueness of man.
Nevertheless, she authentically delineates life.
The objective of this study is to prove that in spite of the fact that Romanticism and Realism are two antithetical schools, they could be dovetailed. Thus, an investigation of both terms paves the way to expounding the term Romantic Realism. Hence, it pinpoints the origin, characteristics, as well as the features of Romantic Realism in drama.
Endowed with the credentials to become a romantic realist, Hansberry is given the credit of a unique and innovative
rom,,.a..n..-t-ic realist. She staunchingly believes in man's latent potentialities; she believes in the uniqueness of man.
Nevertheless, she authentically delineates life.
Other data
| Title | Lorraine Hansberry : The Romantic Realist | Other Titles | لورين هانزبيري : الواقعية ذات النزعة الرومانسية | Authors | Hend Mohamed Samir | Issue Date | 2001 |
Recommend this item
Similar Items from Core Recommender Database
Items in Ain Shams Scholar are protected by copyright, with all rights reserved, unless otherwise indicated.