Theatre Audience As Critic: A Study of Hamlet, King Lear, and Macbeth
Iman Magdy Talaat Ibrahim;
Abstract
This thesis is concerned with the role of theatre audience in the process of theatrical communication with special reference to Shakespeare’s audience of Hamlet, King Lear, and Macbeth. It is divided into a preface, three chapters and a conclusion.
Other data
| Title | Theatre Audience As Critic: A Study of Hamlet, King Lear, and Macbeth | Authors | Iman Magdy Talaat Ibrahim | Keywords | Theatre Audience As Critic: A Study of Hamlet, King Lear, and Macbeth | Issue Date | 2007 | Description | This thesis is concerned with the role of theatre audience in the process of theatrical communication with special reference to Shakespeare’s audience of Hamlet, King Lear, and Macbeth. It is divided into a preface, three chapters and a conclusion. |
Attached Files
| File | Size | Format | |
|---|---|---|---|
| 13842p5022.pdf | 62.79 kB | Adobe PDF | View/Open |
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