Poetics of Place in Aphra Behn's The Rover, or The Banished Cavalier. Philology

Abstract

This paper explores the function of spatial poetics in Aphra Behn’s The Rover, or The Banished Cavalier, arguing that space operates as a central dramatic and thematic force rather than a mere theatrical backdrop. Drawing on modern spatial theory in theatre studies, the study examines how Behn constructs meaning through spatial configurations, including the floating stage, onstage and offstage realms, verbal and physical space, and spatial confrontation. Set during carnival time in Naples, the play uses shifting spatial dynamics to negotiate themes of gender, power, freedom, and political exile. Through movement, staging, dialogue, and visual spectacle, space shapes character identity, social hierarchy, and audience perception. Ultimately, the paper demonstrates that Behn’s manipulation of theatrical space enables the play’s feminist and political tensions while expanding the boundaries between performance space and audience imagination.